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April Workshop: Character Voice

  1. #1
    Await Rescue bluevorlon's Avatar
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    April Workshop: Character Voice

    Cheers to The Reflection for finding this within the depths of his hard drive...
    ---

    Hey all,

    So I finally got round to starting this little informal thing up...

    As writers, I suspect one of the main reasons we all come here is to share our work in the hope that we will improve through practice, through feedback, through the inspiration of other stories.
    To this end I'm starting up a little semi-regular (hopefully monthly) workshop type deal, where we will all hopefully improve our skills in areas of familiarity, and maybe learn different ways of expressing ourselves from others.

    This is not a competition, there's no winner or loser, the point is to write a piece to the task set each month, a task or a brief that *should* force us all to write in ways we're unaccustomed to, to take new factors into consideration, and to look at things from new angles and perspectives.
    I'm setting the first task to get the ball rolling, but I'll be accepting any suggestions for future workshops through either Email or Private message, so If you think of a good idea, send it along,
    that said, lets get underway.

    Character Voice
    It's often said that no matter how well crafted your narrative, how beautiful your descriptions, how gripping your pacing, and how tight your structure, but without good interesting and human characters, any story becomes quickly boring.

    Characters are our way into the story, as readers the story is either told by them, or told about events that happen to them. We relate to them, through them we become emotionally attached about the events of the narrative, we are often drawn in through well crafted and interesting characters.

    So, what do we have to do?

    Simple, I, and many other people here are far too used to writing in the third person, I thought we could try something different.
    In order to create good character, you need to get into the character's head, to know how they feel when they feel it.

    So,

    Write a first person monologue, told by a single character in their own voice.

    Subject matter is open, I don't care what you write about, it could be a tale of battle sitting around a campfire, it could be a trip to the shops, It doesn't matter, just make it interesting...

    Length is also open, but try to keep it vaguely short so we can read them all.

    Final thing, remember the purpose of this whole thing, so, COMMENT! give eachother feedback,

    and most importantly, have fun!

    -blu

  2. #2
    erm... ps, if we could get the replies back too that'd be nice.

  3. #3
    Bedford
    Guest
    I will repost my story asap...

  4. #4
    Uzod I
    Guest
    Hrm... so we just write whatever?
    I'm trying to convince myself to consider writing some of this horrendous krap that I've got stuck in my head demanding to get out...
    Maybe these workshops could get my writing ability up to what I believe to be par...
    Perhaps you will hear from me later, perhaps not.
    /me goes and loads up Word

  5. #5
    Uzod I
    Guest

    Please be kind

    Children of a Lost Home, The Last Battle of the Kayree Offensive, Part I

    The blackness before me seemed to swallow my mind, as glued as it was on my imminent demise. How could I ever convince myself to sit in the coffin-like shell of a cockpit? How could I convince myself to stare out into that deadly vacuum, prepared to die at the hands of a horrendous enemy that I, with no small aid from the government propaganda that spread like flies over rotten meat, was convinced was the most terrible thing to ever develop spaceflight?
    Perhaps it was the fact that they had torn apart a dozen worlds in their thirst for power. Perhaps it was the fact that us, in our naiveté, thought we could give a hand to other worlds that were crying out to anyone, anyone that could possibly turn the tide of that great war.
    Perhaps it was anger at the great Deysal republic. Perhaps it was defiance towards those great, detached fools with no remorse towards the smaller worlds. Perhaps it was, indeed foolish defiance, showing them that we were willing to die for our causes, even if those high and mighty bastards on their ivory towers weren’t willing to.

    Whatever the reason, there I sat, staring out into that all-encompassing darkness. Our star and planet behind me, I was beyond the orbits of our moons, the other planets were beyond my sight. Only that darkness. And the stars. Those great myriad of stars, shining out of the abyss before me.
    Then came that first flash. I recall the briefing room, where the militia commander was talking about the enemy’s tactics. First would come the scout, which would report all that it saw back to the main fleet sitting in the Otherspace. Then the main fleet would move in. To me, this was the beginning of the end. I could not turn back now, I was guaranteed to not return, I would die here, in the cockpit of my little fighter, in this great enveloping darkness… I could already feel the vacuum calling to me, waiting for me to fall into it’s seductive embrace…
    The flashes appeared, the main fleet was coming… And oh how that darkness was dispelled!


    This, of course, is not the whole thing, but it was getting a bit long, maybe I'll create a seperate thread for it.

  6. #6
    I lost my piece when the boards were re-vB-ized. Anyone got it?... anyone?

  7. #7
    Whispering One The Reflection's Avatar
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    The Previous Replies

    Blackjack:
    ok then.


    Last Page

    Nobody can possibly know what it's like.

    I know other people, yes, who wake up in the middle of the night, sweating and screaming from a nightmare, a memory of some terrible cataclysm. It's not the snapping awake that kills me, or hearing the sound of metal tear - a horrible noise, like the sound of fingernails on chalkboard, only imbued with a sort of deadliness to it. No, what kills me is bolting upright to the sound of shattering glass and trying to scream with a voice that isn't there.

    They say I was lucky. Lucky not to have my head torn off, instead of just having my larynx shredded. I wish the shards had just ripped my skull clear off my shoulders. As it is, life is closer to being dead, only I'm still walking around, unable to communicate with anyone. Being a ghost... that's the worst hell I can imagine. The worst penance I can live.

    The pain of it all is trying so hard to get through to other people. In my crude ways, the sign language that I tried to pick up but gave up on. What's the use knowing a sign language if nobody who doesn't have to know it does? I gave up on trying a few months ago, just started carrying around notepads and pens wherever I went, to write down my orders in restaurants and cafes. It's the easiest way. A waste of paper, but far easier than flailing my arms hopelessly while the hostess looks on confused.

    The worst part was the phone. God, how I hated it. I would always try to use them, always hear it ring and pick it up as an automatic reaction. Try to form the word "Hello" and hear nothing but a thin scratch that stung my throat. A few futile words from the other person, and I'd hang up. Eventually I could stand it. I tore the phones, jacks and all, out of the wall, leaving them strewn across my home as a momument to a sort of small victory.

    I never found out why the other guy did it. They told me what happened, play by play - how he'd swerved, lost control, blown across the intersection and slammed the driver's side of my car head on. An impact like that meant that I never stood a chance. He, however, got off with only a few bruises. I never went to the trial, because after all I couldn't offer my testimony in anything but writing. He went to court so fast I hadn't recovered in the slightest before he was tried and convicted for something or another. I never found out what.

    Even without a phone it didn't take too long to find him, through a network of people who felt for me, who understood my desire to know what had caused the accident. I hated all of them, all those phonies, all those dozens of people who thought they knew what living without a voice was like.

    So, through those phonies, I set up a meeting. He was out by then, of course, so I got them to relay my message, got them to convince him to meet me at a diner somewhere near where he lived. All too near where I lived.

    I walked in, found him, sat. His eyes scanned me, dark and unreadable, but he knew who I was, what I was doing here. Silence hung over the table despite the busy lunch rush, and he knew very well that I could not break it.

    He looked me in the eyes. "Listen, man, what do you want me to say? You want me to say I'm sorry? That I feel bad about all the shit that happened to you? Well I am. I'm sorry. Okay? That better? That do it for you?"

    Today's notepad was a small lined pad with a black cover, the pen a felt tip I had grabbed randomly. The words gouged thick furrows into the paper as I wrote. WHY?

    I tore out the page and tossed it over to him. He plucked it from the surface of the table the way one would handle a greasy wrapper. "'Why?'" he read out loud, looking at me. "Why what? What the hell does that mean, 'why'?"

    Another page. I want to know why you did it.

    He took it directly from me this time. Read it, paused far too long. He buried his face in a hand. "Look," he spoke to me without looking up. "A little shit starts up at home. A guy goes out and has a few too many. Makes you think you're invincible, right? Well, yeah, maybe... but... still, even more shit happens."

    That's not why, I wrote. That's how. I want to know why all of this happened.

    He took the page halfheartedly and read it. More than read it, considered it, contemplated the question. Suddenly he blinked and wiped his nose on a napkin.

    His voice wavered, and he looked at the table. "I... my kid... came home all beat up. The wife got back, thought I did it for some reason. Thought I beat him black and blue." He looked up. "I never did, I never touched him. But she didn't believe me... there was a fight... a lot of fights after that. And I guess... I don't know... my kid couldn't take it."

    He stopped for a long moment. A heard the noises of quiet weeping, the sounds someone makes when they don't want anyone else to hear their pain. When he looked up again, his face was read, his voice broken. "He shot himself. My wife blamed me... and after... after what happened to you... twelve years gone..."

    He buried his face in his hands.

    I flicked through my notepad. The last page. The last of what I had to say.

    I wish I could say I forgive you.

    I left it in front of him, quietly, and got up. As I walked out, I caught a glimpse of him fingering the paper laid out before him.

    I don't know if he ever knew that I did, in my own way.



    This short scene is actually the basis for a short film I'm trying to create, and while it doesn't transalate quite as well into prose I'm pretty happy with it.
    Bedford:
    Bj - intense to begin with, avid description of the char's background. It even evoked a little sympathy. However, I found it too short; maybe that's just me; I remember shortness is key to this thing, so. . .


    Untitled
    But still: Copyright, April 2002.

    It was a sad day; we all mourned him. And her, his wife, the widower he was meant to leave behind: the tragedy of their deaths.

    The newspapers reported joint suicide, but I knew better. I had been there, on that fateful day when the old man gassed himself in his Rolls Royce; I was there when she went into the garage, flicked the switch for the naked bulb - and blew both herself, her husband and half the street away in a flight of orange combustion.

    I didn't really know why I was here. Pity, perhaps? I was too far cold for that. Guilt? Ha: I'd never felt guilt since my mother died at my birth. My heart was scarred, but I could live with it. I didn't see why anyone else couldn't.

    Although admittedly, watching the seven or eight grandchildren walking down the aisle to kiss their grandpa and grandma on cold, naked lips that would no more shout or be sentry for air, there was a pang of. . . something. In my gut.

    It was strange: I hadn't felt anything like that before.

    In this tradition, we have a rule. It's so well known it's a cliché, but then don't the best rules always turn out like that? The rule is: No women, no kids.

    It's simple. Even a brickhead like Jackie can remember it.

    Somehow, I knew these children had seen me there, at the killing.

    I was standing at the back, dressed in black like they all were, trying to blend in - blending in - with an air of one of the attendants. I would have carried the coffin down to the funeral hover if I hadn't ran.

    It was sick, kinda. But the feeling I got. . . it was like flying, like the first time you get inside a rigged hover, and take it above the height governor, looking out over the tops of the scrapers.

    I had a gun with me: I'd been told that was necessary; there were strict instructions, the kind that get deaf people and brickheads hurt. I wasn't supposed to use it. "For emergencies only", the Chengbao Ren said. I remembered what he said, and how much I hated him: he'd killed my fucking brother, for God's sakes. Not that I knew that then, of course. The tower was still burning when I got home; I could smell the stench of his tainted skin, burnt, from eight blocks over.

    This gun was unique: it was an oldy, the type that used an attachment as a silence. He said there was no way of finding the killer if I used it. The cops had abandoned the tests for guns like these long ago. Energy pistols were the name of the day.

    I grinned as I undid my coat. I watched the children go up the aisle: waited for them to return.

    They were at the head of the line, trailing sobbing aunts all dolled up nice and pretty. There was an old man, the same age as the deceased, crying too. A brother I guessed. There was some likeness and I should know: I studied the old man's face for hours, and his wife's.

    The gun seemed to come out of its holster of its own volition: it was like I had no control. I was grinning - I could feel the rush of blood, the pump of adrenaline - and I knew I would be killed for this. I just kept grinning, aimed the gun and fired.

    Six times, emptying the clip.

    Reload.

    Fired again.

    Reload.

    I only stopped when I heard the wail of sirens, saw the priest in his black and white robes, that little purple towel he wears down his front all stained with blood. He was kneeling, praying. I was a dark angel; a tower of black framed in the open doorway. There was a slight wind, some leaves and packages blew in from the outside.

    I turned and looked, saw the flicker of blue and red; knew I was done for.

    I ran anyway. Running's better than just letting them come to you, eh? The grass felt hilly under my feet, uneven. My breath caught in my throat, and I realised I hadn't eaten or drank this morning. That's a personal ritual, before a kill. But I hadn't known, so how. . . ?

    They got me eventually. Started firing from up a height: I had no chance, really. Fuckers got me in the kneecap, by accident of course. I swore at them, laughing. I would press charges.

    But it went in reverse: I was pressed with charges, right up against a shitty wall with flaking paint, some tough-boy fuzzy-wuzzy beating me with his fists. It hurt, but I couldn't hit him back. I felt weak, as if I were about to faint. I tried to remember what I'd had for breakfast, then it came back to me, and I tried to puke on the fuzzy.

    He hit me on the neck as I bent over, convulsing. Stun prod. I gasped for air as the needle came down. I saw it, writhing on the floor, but I didn't feel it. The pain in my head was far too intense for that; I could hear ringing bells, church bells.

    It faded into darkness after that. I guessed they pumped me with some sort of catatonic, but I don't remember anything.

    I woke up in some pokey little room with a window the size of my thumbnail and a bed as hard as the skin on my left foot. My arms were tied together with a brace fixed to the wall with some sort of chain. My eyes were blurry, and my head still throbbed; I could feel each heart beat pumping. I remember wondering how damaging a cerebral haemorrhage actually was.

    The next time I woke up I was naked. They removed the chain connecting me to the wall - barbed wire, I saw now - and hosed me down, dressed me.

    They brought me to you.

    'And why do you think they did that?'

    I dunno. But I'm still grinning. You're probably some kind of voodoo doctor, come to talk to my brain or something.

    A coughing splutter, a wheezing sound in conjunction with the pain in my chest.

    'Do you think that's true?'

    Probably. Is there something I can get to eat in here?
    Vaarok:
    Two Taiyan vignettes, from Ra'jayix's perspective. Spoilerish.


    My name is Ra'jayix house Tarsag, Juka footsoldier first-rank, secondrank Taquag, and Scribe journeyman. I am of Kira'ki, daughter of matriarch Rama'ra, by Khan'dar Ta'dura. A child of my lineage is pledged to Illiara, of Desarnari by So'qua. My life is bound to Tala'ra of Eveh'ha by Rebo.

    I am the bright blade of Teijayan, the warrior who found the doorway and rebound the sundered.

    I remember the day. Plague and pestilence drove me from my home, sent me across the divided lands, through the deserts of the North, and ultimately to Jelun, wherefrom I sailed to the Razor Sea.

    Waves upon waves of ocean, dunes upon dunes of sand. Step upon step of journey, league upon league of travel.

    But to commemorate such things is the rite of an archivist or loremaster. I bear the burden of the tale as it was, not as it should have been.

    * * *

    I hate water. The rocking and swaying of the boat nauseates me, the thought of leagues of water horrifies me.

    I loathe sea travel like nothing else. Burning sand and even some barbarian afterlife dedicated to pain and torture is better. Put me on some floating scrap of driftwood, bobbing about on the seas, with razorfish and spathafang drifing beneath me, just waiting for a juicy tidbit to fall to them.

    They'd froth the damn water pink. And the worst of it is that stuck on this miserable boat, I can't get off. Assuredly, there's a raft tied to the side, but what's that to do? Serve the fish on a damn plate?!

    At least on ground you don't have to worry what's beneath you. Miresand in a swamp, maybe. Cliff on a mountain, maybe. But you can avoid such things. Here, it won't even let you forget. Bump, bump... waves taunting me " knock, knock, the fishes are hungry."

    Bloody hell. I'll walk home from the God's Bones, across the sands, and all the way down the valley to Tejukan rather than endure this lunacy again.

    * * *

    The godbones are amazing. Such things are as beyond me as a steam-pump is to a bloody Taquag.

    Spires like a dead fishes' bones, arcing and bending in on each other, a sort of skeletal hall leading to the "altar." Ta'jaka is terrified by it all, and if I gave him leave, he'd be hiding under Magha. Illiara and Magshea'ra are rummanging about, though. Scavenging for shiny rocks and whatnot, pawing through sacrificial offerings and rubbish for anything they can find of use. Tala is absolutely furious, though. She can't make head nor tail of the material the monoliths are made of, and she's been trying firemarks, a assay hammer, and even Ta'bashar's warhammer to chip or mar them.

    Hasn't worked. Probably won't, either. I did my own exploring, and found
    a battering ram, darksteel pointed, beat to a dull point on one of the smaller ribs. Still, it keeps her happy, and I can say she had her chance when we have to move on. Now where the hell is that damn plant? Bloody idiots said Ukiri grew wild all along the north coast, and after twenty damned stops, not one bloody sprig. I'm supposed to be able to cure a nation with a damned weed, and yet I haven't seen one damn plant since the picture in the archive.

    That first bone ring is strange. Smells like thunderstorms, but also like something else... faint, but noticeable. Like brimstone. The bones seem to shimmer, even...

    Bloody hell!
    Greenstone:
    Blackjack: It is most like your work, excellent. The only suggestion that I can offer at the time is this: Keep the emotion through it all, you started out wonderfully, but after it got about halfway through you seemed to almost rush it, and in rushing it seemed to lose some of the flavor of the mood. Maybe this was your intent but I do not quite think it was. Not with the ending you have on there. . .

    Bedford: Well done, it is an effective narrative. Very pungent. I do have one suggestion however. . . When you have a dialog between two people, say the doctor and the criminal at the end of your story, don't do the interim description of the action like it was in a movie, it was almost third person, but then your dialog was somewhat similar, Try this:

    Quote:
    "They brought me to you."

    'And why do you think they did that?'

    "I dunno. But I'm still grinning. You're probably some kind of voodoo doctor, come to talk to my brain or something." Another painful coughing splutter chose to rise, twisting my grin cruelly with that horrible wheezing sound in conjunction with the now constant pain in my chest.

    'Do you think that's true?'

    "Probably. Is there something I can get to eat in here?"


    Of course this is just a suggestion to help alleviate that strange description in there that doesn't fit with the rest.

    Vaarok: I take it from the first and second that the character is writing in a journal, however in the latter one it does not seem this way, something about the last part of it would change that. Though the entire thing sets my imagination running. I suppose that it could be a journal recording as things occur but the technology does not seem to point to that. While I have not read your story, (I probably will be now What is it called?) I cannot complain as to the description from First Person perspective. Although like I said, it looks like a journal entry.

    It is only at the meeting of knowledge and ignorance, of light and dark, that new understanding may be found: in the shadow. - Babylon 5: Invoking Darkness by Jeanne Cavelos
    Author of Outside and Naggarok's Children
    Where there is truth, there is symmetry. Expect me when you see me.

  8. #8
    Oh god I love you TR.

    Thnx for the recovery... otherwise I'd have to write it all again :/

  9. #9
    Bedford
    Guest
    Thanks TR! Organisation is your middle name. Fancy having a go at the workshop yourself?

  10. #10
    Cows & Guns Vaarok's Avatar
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    Praise to the Great Scavenger!

  11. #11
    Await Rescue bluevorlon's Avatar
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    BJ
    As Bedford said, very vivid, very intense.
    The only thing I can suggest is after the first few paragraphs your narrator becomes very impassive, perhaps that's his own denial of emotion coming into play, but somehow after the vehement descriptions of what it feels like to be in his shoes in the opening of the piece, I doubt it.
    By the end your character seems to be reduced to merely telling the story, and I think you lose the edge slightly as the voice becomes generic rather than distinctive.

    But this is minor stuff really, it's pretty damn good.

    Oh, and in future, save all your work to your hard drive...

    Bedford

    My man, what can I say? I really really liked this, there's a number of simple touches, the slang, the anecdotes, the constant referral to personal view and opinion.
    It's a great display of creating a character, I can already picture this guy in my head, I hope you've got more planned for him...

    Again, only minor criticism, but you seem too readily willing to give up all your plot details to your audience.

    He said there was no way of finding the killer if I used it. The cops had abandoned the tests for guns like these long ago. Energy pistols were the name of the day.
    If energy pistols were the norm, then surely the protagonist wouldn't need to spell this out, I think the sentence works fine if you just end it on 'long ago'.

    I remembered what he said, and how much I hated him: he'd killed my fucking brother, for God's sakes. Not that I knew that then, of course. The tower was still burning when I got home; I could smell the stench of his tainted skin, burnt, from eight blocks over.
    Again, you don't need to spell everything out straight away, why tell them this guy killed his brother? Simply stating,

    "I remembered what he said, and how much I hated him. Even then I hated the bastard for christ's sakes. Even before..."

    or something to that effect makes it both more interesting and in all likelihood more realistic.

    I hope that helps guys, I'll be reading and commenting on the remaining pieces in the next few days, btu I can say I'm already blown away by the quality of these... I've already got half a dozen ideas of how to take my own monologue now... Good job all.

    - blu
    Last edited by ionfish; 18th Apr 02 at 3:47 AM.

  12. #12
    Bedford
    Guest
    I suppose I just like to wrap everything up into packages; I like completeness, and the mention of the guy's brother was just a way of giving his actions reasons - otherwise the story might not have worked. That was a chance I could have taken, but did not.

    The energy pistols... yeah, I guess I could have left that out: made the reader imagine in his/her own head what weapons are used.

    Have I got more planned for this hero? Dunno...but the mere mention of the idea has me speculating. :argh:

  13. #13
    Await Rescue bluevorlon's Avatar
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    Huzzah, the forums return...

    As april draws to a close, heres my own stab at the thing. Comments welcome and appreciated!

    Any suggestions for May should be Private Messaged or Emailed to me (bluevorlon@hotmail.com)

    Confidential to Ionfish: Oi, Lazy radioactive salmon that you are, post your damn entry.

    ------------------
    The Theory

    The theory says, 'enlightenment will be found in the fridge'.

    So I'm sitting there, saturday night, outside my window the city burbles away to itself quietly. It's strange, I know down there, down the twenty or so floors of my appartment block, on street level, all hell could be breaking loose. In fact, somewhere all hell is breaking loose, no question about it, you've just got to look at the figures, two murders happen each day in the city. One hundred an eleven robberies, one hundred and sixty-four aggravated assaults. That's almost seven an hour. Once every ten minutes.
    If I did go outside, what could happen to me then? I could become one of those one hundred and sixty four. A victim of numbers, of demographics and economic and urban deprivation. Of widening wage earnings and deepening poverty. Of fucked up social policy and white middle class dipshits sitting in the oval office.
    The theory says don't mess with statistics or statistics will bend you over their knee and smack you round the arse.
    I am inclined to agree.
    But up here, no matter that someone down there is becoming another figure, the city exists peacefully, quietly. At this distance, from this height up all the noise, smell, smoke, filter out into some half noticeable sanitised ambience.
    Like those air freshners, you know the ones, 'scent of mountain stream' 'spring meadow' 'hint of alpine fragrance'.

    Scent of overpopulation.
    Essence of burgeoning social underclass.
    Hint of drive-by shooting.

    Hah, I can see the marketing campaign now.
    But I digress.
    So I'm standing on my balcony, observing this self sanitised version of NYC, glass of wine in hand. I am lord of all creation, omniscient, omnipresent, surveying all I see, the world is at my feet. The big issues, you know, peace, love, war, all that shit are waiting to be solved. World leaders beat a path to my door, for audience with my brain, such as it is, the most advanced and precise cognitive artifact in human existence, as perfect as it is beautiful.

    And I'm thinking, "where the fuck is that pizza?"

    I ordered the pizza almost three quarters of an hour ago, the guy on the phone telling me in broken english it would be there in 'twenny minute tops'

    Yet here I am. Pizza-less. Sans Pizza. Pizza noticeably absent from this equation.
    The theory says that the man who waits for Pizza waits for life.
    I can tell you what I couldn't think of the theory at this precise moment in time.

    So I'm on the phone, calling the pizza place. I ordered a pizza, I don't have a pizza. Ergo; where the fuck is my pizza?

    The guy on the other end of the phone apologises. It seems the pizza guy got hit by a car on the way to my appartment. Underpowered scooter meets Corporate BMW Penis Extension. Bam. He says the delivery guy, who was only seventeen is currently in critical condition, massive internal injuries, trauma, the works.
    I can imagine the whole thing in an episode of ER.
    Of course, the dick driving the Beamer is, no doubt, fine. Probably holding this poor fuck's IV for him whilst he sprawls on the pavement, bones broken all across his body, his last few minutes on this earth staring up at the uncaring sky.
    And I'll tell you what's going through the driver's brain.
    "How long am i going to have to do this?"
    "What am I going to tell the wife?"
    "Shit, What if they give me a breath test"
    Thats what he's thinking.
    And I'll tell you what I'm thinking.
    "Why the hell are you telling me this?"

    Yes, very sad I'm sure. But see it from my perspective, I still have no pizza.
    The guy on the other end says it was his own nephew driving the delivery bike, he wishes he never sent him out tonight, only they were short staffed, y'know?

    Like I care.

    It's over half an hour late now.
    I should get it free.
    The pizza. Hello?
    The guys hangs up the phone.

    Fuck.

    What am I going to eat now?

    The theory says extra cheese, extra toppings, stuffed crust, thin base, deep pan, extra sauce.

    The fridge, is of course, empty.
    I didn't go shopping. Well, I did go shopping, I have cupboards stocked with sauces, neat little jars of instant this, instant that. Pre mashed potato, pre grated cheese, little matching pots of dips, pre-made salad dressings. Those little olive oil and vinegar dispensers you see in restaraunts trying to look continental.

    So I finish the glass of wine and open a drawer where I hide the bottle of Jack Daniels from myself.
    Is that not a textbook example of denial or what?

    I sit down, stomach still rumbling angrilly as i try to sate it with alcohol. The TV's on somewhere in the background with the volume down. Newscasters mouthing their way through reports, correspondents standing in front of courthouses chattering inanely but in blissful silence to me.
    WIth one press of the remote control I can silence the world's problems.

    So I sit down.
    I open the laptop.
    And I start writing.
    I don't know why.
    The theory says the greatest things come from people who don't know why.
    So I sit down.
    I start writing.
    I type, a title, cursor blinking at me to get me to write something

    I write; 'What?'

    The cursor continues blinking at me.

    I open a new document, take a sip of the whiskey, and type out two words.

    The theory says this is the best you've ever been in your insulated little existence. This is, right now, right here. And you know what? It's the best you'll ever be.

    On the screen.

    'The Theory'

    And, god knows why, I start writing.

    The theory says this is the theory.

    This is the theory.

  14. #14
    Bedford
    Guest
    And I start writing.
    I don't know why.
    The theory says the greatest things come from people who don't know why.
    So I sit down.
    I start writing.
    I type, a title, cursor blinking at me to get me to write something

    I write; 'What?'

    The cursor continues blinking at me.

    I open a new document, take a sip of the whiskey, and type out two words.

    The theory says this is the best you've ever been in your insulated little existence. This is, right now, right here. And you know what? It's the best you'll ever be.

    On the screen.

    'The Theory'

    And, god knows why, I start writing.

    The theory says this is the theory.

    This is the theory.
    This is the type of quoted conclusions that makes me feel guilty about criticising other peoples' work. But you want "comments".

    Here goes.

    All I can say is: "First draft!".

    ... Only I can't just leave it at that, can I? A few little pointers, of which I'm sure you're aware (but then why not heed them?):

    1) Read over your story once you're done; several times if necessary, preferably on hard copy. This will help you see punctuation, spelling and grammatical errors (of which yours seemed to suffer from the former - it was stuttered and difficult to read, opening, with this commas...). Paragraphing too: don't know if the layout was intentional...
    2) Less swearing, at leats in this case. It's probably me, but it doesn't seem to hold with the character. This might be due to the fact that you've made him very difficult to relate to: there's veyr little in there that the reader can identify with (except for, of course, the late pizza - but even that is punctuated by a shrugged-off death).
    3) I could vaguely see the character (I agree, description usually isn't necessary) but I find it difficult to beleive a man who claims that "World leaders beat a path to my door, for audience with my brain" would be that pissed off about a pizza delivery gone wrong. On the otherhand, I can see where you're coming from: the fact that nobody cares, that crime is a way of life - as you stated sutbly in your opening few paragraphs.

    Nevertheless, I still like this peice. The idea of crime being almost the ruling 'parasite' on a planet appeals to me; my real story adheres to such 'logic'. But in my opinion, your story centres on narrative and description of events rather than character. Ask yourself how he feels. It's enough to read his thoughts (e.g. "And the fuckers left shit all over the ceiling") but it's only surface talk: aim for something deeper.

    Right now, I am feeling guilty, mainly because of the above quote and how it seems to come directly from you. This also makes it hard to identify with the character - he changes often.

    Now that I've shredded your story into manageable chunks, I suggest you engage in a 'pleasureable activity'.

  15. #15
    So... it's nearly the end of april...

    tell me, blu, what the hell is this, exactly? A contest?

    ...is there food involved?

  16. #16
    Await Rescue bluevorlon's Avatar
    Join Date
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    Not a contest, just a little collective thing to try and get everyone to experiment and hopefully improve their writing;

    I think it's been quite successful really, you think I should do a May one?

    (I can offer prizes if you really want them...)

    Bedford Dear sir, the comments and criticism are muchly appreciated, you don't have to apologise, If I'm willing to put a piece up here I'm willing to see it torn to shreds.
    However.

    I don't quite see what you're getting at with that passage you quoted... That was how it's supposed to be.
    The comma thing; Yes, I put far too many of those in. But I'm trying to get the patterns of this guy's speech. Ideally the piece should be read out loud. (I'm sure it still won't read well though)

    Paragraphing too, it's intentional if I've moved lines onto their own paragraph. It's a very clumsy and obvious way of adding emphasis.

    Less swearing, at leats in this case. It's probably me, but it doesn't seem to hold with the character. This might be due to the fact that you've made him very difficult to relate to: there's veyr little in there that the reader can identify with (except for, of course, the late pizza - but even that is punctuated by a shrugged-off death).
    The swearing, I didn't think there was too much of it, but maybe you're right. The point of it is to show this guy, the main character, reaching the end of his tether with the rules and structures and accepted ways of society. He can't be bothered anymore, he doesn't care what people are thinking, he's just typing whatever comes into his head.

    Ask yourself how he feels. It's enough to read his thoughts (e.g. "And the fuckers left shit all over the ceiling") but it's only surface talk: aim for something deeper.
    This is where i kind of shot myself in the foot.
    As I wrote that passage, it suddenly became not a stand alone piece, but the beginning of a story all of it's own. As such I'm not diving right into the character's innermost psyche straight away, besides, he's not willing to show you that part of him yet. He's just getting started on his 'theory' his book.

    Right now, I am feeling guilty, mainly because of the above quote and how it seems to come directly from you. This also makes it hard to identify with the character - he changes often.
    The ironic thing about this is, he's probably the first good character i've invented who isn't like me.

    So yeah, I kinda lost the purpose of the thing, but hey, I now have a great story idea which Is being worked on as we speak, so I suppose this thing has helped me afterall.
    Last edited by bluevorlon; 28th Apr 02 at 3:58 AM.

  17. #17
    TheGunslinger
    Guest

    ...

    Here's a little something I'm working on.

    Seven pounds per square inch.
    That’s all the pressure it takes to break any bone in the human body. A child can exert that much pressure. When I say any bone, I mean it. From the hammer bone in the ear to the femur, every bone can only withstand seven pounds of pressure per square inch. Amazing how fragile the human body is, isn’t it?
    I remember hearing that on one of those learning channels on cable. That was before the advent of that Australian crocodile hunter. Those words have stuck in my brain for years, never far from my thoughts. No wonder baseball bats and tire irons make such effective tools of maiming and murder. Funny what a person remembers years after the fact.
    Of course, there are plenty of other ways of breaking bones, more fatal than taking a Louisville Slugger to someone’s kneecap. I don’t do that, by the way; much too Goodfellas and The Untouchables. For example, an object falls at approximately thirty-two feet per second, no matter where on earth you drop it or how heavy the object is. The way I figure it, when someone falls from about the third story of a building, they’re pretty well done, regardless of how they land. Even if you somehow roll with the impact, you more likely than not will snap several bones from hitting the ground at that speed. For the luckless miserable bastards who decide to try a swan dive, you have what the medical examiners like to call “deceleration trauma” leading to “cessation of vital signs.” Deceleration trauma. It’s just like the kinder, gentler folks to come up with a nice name for that sudden stop at the end of a long fall, isn’t it?
    I’ve seen lots of dead people, numbering in about the hundreds. I was responsible for a few of them, true, but when you travel where I have, you see the dead everywhere. A bomb packed with nails blew some of them apart. A few would lay bloody on the ground, pieces of their flesh blown off by large caliber bullets. I even remember some poor bastard gutted like a fish, his rib cage spread open and his guts and organs rearranged in a kind of surreal visceral sculpture.
    Then you have your walking dead. You’ve seen them, I imagine. They’re all around you, if you know where to look. The next time you’re in one of the poorer sections of whatever city you call home, check out the streets, the people who walk those streets. Look at them instead of cowering like you normally would. There are the whores who walk those streets, looking for one more trick to be able to afford a syringe of morphine, heroin, anything to get their minds away from what they’ve become. They’re dead and don’t know it. Cast your glance past her to the gangbangers who stand on the street corner. They’re probably the ones who sell the hookers their rides on the Happy Flower. I wouldn’t take bets on them surviving a year since they have to guard their turf, which usually translates to a drive-by or two, which sends the other side after them to exact revenge, which can escalate to an all-out war with a couple dozen bodies on both sides wearing toe tags. My bet wouldn’t be for which one would survive, but who would die first. They’re dead and don’t know it.
    Now how about the cops who make desultory patrols in this lovely little slice of Hell on Earth? You think they’re not dead? Maybe, but I wouldn’t bet on it. They’ll probably be casualties in whatever little tiffs the gangbangers decide to have. Personally, I hope not. I like cops, you see, even though they’ve been my enemy at times. I can honestly say I’ve never killed a good cop; not many in my line of work can make that same boast. Unlike them, I don’t see a contract as a James Bond-esque license-to-fold, spindle and mutilate anyone that gets in the way. Maybe it’s my upbringing.
    I get told a lot that I’m not cut out to be a killer. I’m told that I have a conscience and I let that stop me from taking the really lucrative jobs. That’s clear and present bullshit. The jobs I take are for my own reasons. I don’t kill good people. That’s my Golden Rule. I’ve actually gone after someone who first asked, then demanded that I pop some guy’s daughter because the guy would be easier to beat in the elections.
    There were no more contracts on the guy’s daughter.
    I’m not a fussy killer, to be honest. A strangling here, a 12-gauge lobotomy there; it all worked for me. My strict adherence to not having a modus operandi is why Interpol has such a hard time finding me. I don’t let myself get sloppy is another reason. Hell, I’ve pinned the blame of three-quarters of my kills on other members of my fraternity of killers. No matter who I’m choking with piano wire or whose head I explode with a high-power rifle shot, I don’t let myself get sloppy.


    It's not finished, of course, but any comments, criticisms, etc are welcome.

  18. #18
    Ben Tusi
    Guest
    I'd would just like to respond saying that the narritive is simply amasing. I'm not too polished a writer to offer any comment, though.

  19. #19
    TheGunslinger
    Guest
    Originally posted by Ben Tusi
    I'd would just like to respond saying that the narritive is simply amasing. I'm not too polished a writer to offer any comment, though.
    Whose narrative? Mine took about an hour to write, and I'm still getting this guy down in my mind. That's how I write all my stories anyway: Like I'm listening to each character tell me their version. Kinda like I'm just a glorified secretary.

  20. #20
    Await Rescue bluevorlon's Avatar
    Join Date
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    well, this seems to have been pretty successful, thread is being un-docked and a May workshop should be up shortly...

    Deep Deep Thanks to everyone who contributed or commented!

    cheers guys

    - blu

  21. #21
    TheGunslinger
    Guest
    Originally posted by bluevorlon
    well, this seems to have been pretty successful, thread is being un-docked and a May workshop should be up shortly...

    Deep Deep Thanks to everyone who contributed or commented!

    cheers guys

    - blu
    So where/when will the workshop be? Sounds like fun. I'd be glad to attend.

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