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My issue with movie protagonists

  1. #1

    My issue with movie protagonists

    AKA The People In the TV Won't Listen To Me, take two.

    I have an issue with the protagonists in the massive majority of movies. They suffer from a terminal lack of ruthlessness.

    The problem with this is that at a certain point I Just can't bring myself to root for the protagonist anymore. How am I supposed to care about someone who obviously has no survival instincts? I mean seriously... I get to a point where I just want them to hurry up and die because even if they survive the movie they're bound to die in a mugging someday because they have "victim" printed across their forehead in bright red bold capital letters.

    Ever see Jeepers Creepers? Yeah, it's a stupid movie. Really stupid. But you know what? I watched it and cheered at several points because in violation of every convention of the genre and hollywood in general the protagonists had brains. When the evil murdering bastard was advancing on their car in the cliched "The car won't start" scene, and the car finally started, I cheered when the heroine charged the freak instead of trying to drive away. And after they ran him over and the other guy asks the cliched "Is he dead?" she did what I would have done and backed over him again! I was cheering!

    Contrast this with the last movie I saw. 8mm. I'll put this part in a spoiler tag for the improbable possibility that someone who actually intends to see an zillion year old movie hasn't yet done so.

    Spoiler



    The sad thing is that this seems to be typical of hollywood crap. Is the typical american truly so heavily socialized that this is a believable "hero" to him? I just don't understand.

    A big reason I always loved Firefly and loved Serenity was the fact that the main characters had the balls to do what had to be done. I wish more movies would feature characters with some backbone, ruthlessness, and survival instincts.

    I dunno, are characters with some realistic predator survival instincts really that distasteful to most people?
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  2. #2
    Akaoz
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    Try Deadwood from HBO. It's a TV-series but it's good some VERY cool protagonists.

    If I got the gist of your post right, you want good guys with less "civility". Is that right? The only movies I can think of right now that fit the bill are ones with more shades of gray and no real "good guys" in them. I think the problem you are facing is the one Travolta's character in Swordfish is talking about. Most Hollywood movies are morality tales. They are all about Good vs. Evil, and in those stories the "Hero" has to be 100% good and the villain has to be 100% evil. Or at least close to it.

    If you watch European movies (esp. British) this is less of a problem because they are less about good vs. evil and more about how normal people react to non-normal situations. "Shallow Grave", "Lock, Stock and Two Smoking Barrels" are examples of movies like this.

    If you like horror with a big twist try "Devils Rejects" by Rob Zombie. That has some pretty kick ass protagonists. The scene from "Jeepers Creepers" has nothing on that movie.

  3. #3
    Senior Member TheLoneKnight's Avatar
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    Thank you, Paladin, for saying what I have always considered to be the biggest downfall of movies and television at large.

    I don't necessarly want a guy who is going to walk around killing everybody but I wouldn't mind a guy who has a "reputation" and attitude indicating that he's a mean SOB just killing someone in cold blood once and a while. Or at least doesn't have some moral confliction about killing someone who was trying to kill them.

    There have been so many characters in movies and television who are so PG and idiotic that I actively want to vomit every time I see them.

    That is also, incidentally, the reason that I have pretty much stopped watching TV/Movies altogether-- including stuff from some of my favorite genres (and series from those genres that are heralded as the best thing since plumbing).


    Also: Why do most (if not all) Lead Characters require a romantic interest? Do we -really- need some kind of love connection in every movie? I understand it's a big enough thing-- but it shouldn't actively infiltrate every situation you would ever come up against in fiction.

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  4. #4
    Forum punned-it Retroboy's Avatar
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    I dunno, are characters with some realistic predator survival instincts really that distasteful to most people?
    Retro's short answer - no, but they're VERY hard to write well and reach the audience with.

    "Protagonist" is the wrong word - let's use "hero" (or, depending on the specifics, anti-hero), since you're looking for someone with good intentions but a bit of bad behaviour.

    Easy fiction places everyone in a box, and there are two possible boxes for your hero - either "goody-two-shoes", or "fundamentally flawed". It is the fastest route, and quite entertaining to most fwuffy-fiction-seeking audiences, to slap a character wholly into one of those boxes, particularly on the big screen because you don't have to actually think to understand the motivation of the character, and the target audience for most action/shocker/horror movies is typically the kind that isn't there expecting to think too hard anyway.

    It is much more difficult to author a character with one foot in each box, or maybe standing wholly in one box but with his big toe in the other, and work to rationalize all of his actions and reactions through a real hard analysis of exactly what he/she'd realistically do in certain circumstances, much like what you did with the hero in 8mm, to get an extremely believable result that better matches what you'd expect.

    P.S. You describe the hero in Serenity as an example.

    invalidity situation for this character



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  5. General Discussions Senior Member  #5
    terrible, terrible damage Starfisher's Avatar
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    I'm less concerned with the specific lack of ruthlessness and more concerned with an overall wealth of idiocy. For example, War of the Worlds was ruined for me by screech-o-matic Dakota Fanning and moron Robby, not Tom Cruise swerving to avoid a woman and a child. I can see a guy crashing his car even though it doesn't make sense for his survival - people do it for squirrels all the time - but I really can't believe an eleven year old who screams more often and with more power than my four year old cousins and a teenage boy who blithely ignores the annihilation of the world. Oh, and the scene where Robby and Ray stand there staring at each other while the world ends was so fucktarded I wanted to retch.

    So I guess what I'm truly fed up with in movies is bad scripts ruining potentially good movies.

  6. #6
    Forum punned-it Retroboy's Avatar
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    Also: Why do most (if not all) Lead Characters require a romantic interest?
    Aw, c'mon, TLK, you don't know?

    It's flimsy rationalization ammunition so immature-yet-somehow-married-anyway big kids like me can convince our wives to go with us, because they'll guilt-trip us to death if we go with the guys and leave them home alone!

    -- Retro,

    EDIT - good example of a hero with a ruthless streak - Denzel Washington's excellent role in "Man on Fire". Recommended.

  7. General Discussions Senior Member Dawn of War Senior Member  #7
    Oppressive Forces of Titty n0z3k1ll3r's Avatar
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    The important thing to remember though is that when the hero's friend is mortally wounded, on no account should the hero let him speak. So long as he can't make a tragic final last word, the guy will live indefinately. Proven fact.
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  8. Homeworld Senior Member  #8
    Lord Emptiness Void's Avatar
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    There was a list of things an evil guy should never do...i can't find it though

  9. #9
    Little Fox Bnonn's Avatar
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    8mm was a great movie.

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    bones.. yes.. theBlind's Avatar
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  11. General Discussions Senior Member The Studio Senior Member  #11
    I haz nori, u want? Nurizeko's Avatar
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    I'm less concerned with the specific lack of ruthlessness and more concerned with an overall wealth of idiocy. For example, War of the Worlds was ruined for me by screech-o-matic Dakota Fanning and moron Robby, not Tom Cruise swerving to avoid a woman and a child. I can see a guy crashing his car even though it doesn't make sense for his survival - people do it for squirrels all the time - but I really can't believe an eleven year old who screams more often and with more power than my four year old cousins and a teenage boy who blithely ignores the annihilation of the world. Oh, and the scene where Robby and Ray stand there staring at each other while the world ends was so fucktarded I wanted to retch.
    I thought robby was such a noob, i mean, he didnt look like a retard so why the hell was he so bloody obsessed with going and dying, it really annoyed me because any normal teenager would be as scared and fucked up as everyone else and just try to survive.

    I spose thats why i liked tom cruises character, he thought he was cool but when the aliens invading he was just as big a coward as everyone else, WOTW definately had its problems but, overall it was a refreshing change from normal alien invasion movies.

  12. Child's Play Donor General Discussions Senior Member  #12
    Long distance runner Harmanoff's Avatar
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    8 mm was indeed great. Lots of dark gritty photo and some actually decent acting from Nicholas Cage. And how do you propose you solve your beefs with the protagonists actions here? How do you fit for instance him stalking the masked man for weeks when there is 10 minutes of the movie?

    I agree movie protagonists are indeed often stupid and act unrealisticly or, more often, sickly stupid but it's hard to do in another way with the feature movie format. These days i've accepted that character depth will almost always be suffering compared to books for instance and concentrate on other qualities instead.


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  13. #13
    Forum Farseer Akranadas's Avatar
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    Truth to the matter is, the big hollywood producers dont want to back a movie that "no one would like" due to either the hero dying (e.g the 3rd Matrix out roar). Its just they're to scared to take risks.

  14. #14
    problem is often when they take risks they are a box office flop and then become a cult classic in later years see fight club an an example. The Truth is the genres and plots they use work and they see it as "why change that?" so don exspect anything new till speilberg dies

  15. #15
    Member Benjamin's Avatar
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    Akaoz
    I think Sexy Beast was a much better flim then "lock stock"

    but I know what you mean anyways
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  16. General Discussions Senior Member  #16
    'Sup HunterX's Avatar
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    I'm with you fisher. I find my self screaming at the TV and in the back of my mind at the theater "Find a fucking braincell!" sometimes.
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  17. #17
    pushes Gaz into a crevasse Chrysophylax's Avatar
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    I know what you mean, Paladin.

    I must admit, it took me a long time to see that most protagonists are fucking stupid. Once I realized it, it sometimes pains me to watch a whole movie to the end.

    I don't know if writers are just under-paid guys with no literary background or they're covered in gold to write some of those plots. It sure was nice to see the serenity's cap'n shooting that guy near the beginning of the movie.
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  18. #18
    Akaoz
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    Quote Originally Posted by B.B.
    Akaoz
    I think Sexy Beast was a much better flim then "lock stock"

    but I know what you mean anyways
    Indeed.

    Good guys with brains and flexible morals just aren't high up on the Hollywood "to do" list.

    Edit: Pulp Fiction has some good "Heroes" though

  19. #19
    Slashco
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    Another good, gritty movie without any "goody-two-shoes" heroes and some interesting bad guys was Sin City, IMO.

    Personally, I'm usually more annoyed with female characters, especially in movies. They're so often portrayed as helpless, screaming victims who have to be rescued by men and/or mostly get in the way until they're either rescued or killed. Granted, this trend isn't as bad as it once was, but it still exists. And don't even get me started on horror movies, the most cliche-laden genre out there. How many people must meet grisly ends before they learn that no, going alone to investigate strange sounds inside the creepy mansion/warehouse/spaceship after dark is NOT a good idea, and if a person actually makes it back from such an ordeal, dismissing their story and warnings is even less of a good idea?

    As for the 'ruthlessness' of heroes, I don't agree entirely. I'm not sure I would sympathize with a character that in the end turns out to be just as mean as the bad guys, or at least it would be much harder. People want to root for a hero who has some sort of moral high ground, otherwise what's the point of the story, other than watching a pack of equally vicious wolves tearing at each other... But there is a solution, because I think the thing that both I and Paladin actually dislike is weakness. The hero is showing physical or psychological weakness and making his own job harder by acting in a certain way. If the filmmakers could successfully show that these actions are rooted in strong moral convictions and are not a result of indecision or a lack of 'stomach', I don't think we'd have these kinds of complaints, or at least a lot less of them. Just my 2c...

  20. #20
    Akaoz
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    Good female action/horror heroes can, IMHO, be found in these movies:

    Resident Evil (original)
    Alien (most of them)
    Devils Rejects
    Natural Born Killers

    In most action-movies they just feel like they are trying to hard though.

  21. Child's Play Donor  #21
    Member Hablacraja's Avatar
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    In the movies I've seen recently, at least, I've noticed a downward trend in wimpiness of heroes. The last three movies I went to see? Lord of War, Serenity, and A History of Violence.

    Serenity has been discussed to death, you nerds, so I'm going to mention what I liked about the other two. In Lord of War, despite seeing the suffering and pain caused by his arms deals, Nicholas Cage's character continues being profit-driven and makes correct (survivalist) decisions when dealing with the actual warlords he's trying to sell to. And A History of Violence, despite being a pretty bad movie, had Viggo Mortenson not hesitate AT ALL to kill anyone...

    A History of Violence



    So yeah, it's gotten better this year. Let's just not mention the other plot devices with which filmmakers have replaced the "dumb protagonist".

  22. #22
    a movie that "no one would like" due to either the hero dying (e.g the 3rd Matrix out roar).
    Neo dying was not the reason the last two matrix movies were disliked. They were disliked because they were steaming piles of shit.

    Habla, go watch Wallace and Grommit. Now.

  23. #23
    Cows & Guns Vaarok's Avatar
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    Paladin's problem is precisely why I enjoyed Firefly and Serenity so much.
    The hungry, ignorant man immediately grasps that he is handed a fish, but is bewildered when handed a net. The man who shivers in the cold thinks happily of the man who invites him to sit by his fire, and somewhat poorly of the man who loans him an axe, flint and steel.

  24. General Discussions Senior Member  #24
    terrible, terrible damage Starfisher's Avatar
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    Somehow Wallace and Gromit doesn't really count in a discussion of violent heros... who was the last person they decapitated while running from zombies? Or even had a zombie related incident?

  25. #25
    Are you kidding? Did you see what that... thing... did to that lettuce? Not to mention beating up a man of God for his cucumber crucifix. It was horrible. Just horrible.

  26. #26
    My fave films of the last year have been: Serenity, Sin City, and Batman Begins.

    Serenity and Sin City both had anti-hero protagnists, and Batman Begins, he was very much driven by his emotions, but the bit at the end where he

    Does this

    was filled with anti hero goodness!
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  27. #27
    Sin City was one of the greatest movies I ever saw

  28. #28
    Seconded.

    I think the sequal they are making might ruin it a little.

  29. #29
    Never Around.. Mr Tyranny's Avatar
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  30. #30
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    Common problems with hollywood movies :

    -If the characters are lost,somewhere.....they have no handphone.Nevermind that most teenagers have one these days,let alone adults who usually have one so they can be emergency contacted by their boss or whatever.This also applies to the "in danger" scences,where for example the main character is trapped in a house with the phone lines cut.He/she conveniantly has no hand phone.Alternatives include : They lost the handphone, the handphone has no battery or there is no signal out in the woods(okay this is midly believable,if convenient)

    -Like the original poster said,stupid things. Driving away and letting the obligatory "killer comes back for revenge" scence occur. Watched "i know what you did last summer 2"?Instead of making sure the guy is dead,no they need to let the obligatory "killer comes back for revenge " scence occur.The guy already came back from the dead twice,and they arent smart enough to at least make sure hes dead.

    -Staying alone in a deserted building when you know a pyscho killer is on the loose.With no handphone of course.

    Then of course theres the obligatory HK cop movies in the past which often showed the SDU team getting pwned by a group of bank robbers/terrorists/whatever,then a few normal cops with small .38 pistols pwned the entire lot of them without so much as suffering a scratch.

    Its a very common theme. The professional soldiers,cops,swat team,etc cant hit shit and the heroes have to save the day with their uber accurate pistol skillz and elite H2H capabilities.

    I also dont appreciate scences where the villain has a character in his sights,but fails to fire.They can fire....its just that they are told to wait for the characters to kill him first,leading you to wonder WTF they are doing there instead of shooting.

    Oh another hollywood cliche.Security guards are also stupid and frequently die before they can even pull the guns out of their holsters.

  31. #31
    Hey you forget Malcom Reynolds from Serenity/Firefly! He is as practical and ruthless as they come.

    I loved his respose when the guy had River as a hostage. Guy yells hostage taker talk, Mal walks up the ramp, draws, shoots him in the head, checks to make sure he is dead and heads for the control room.

    Operative: I am Unarmed...
    Malcom: (Draws and Shoots)

  32. #32
    keep calm and carry on eventhorizon's Avatar
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    another stupid mistake of the good guy is evident in 'aliens'

    part of the aliens plot

    it's been a while!

  33. #33
    Heh, yeah, that scene was stupid, and beyond that, unrealistic.

    Spoiler



    I just watched The Devil's Rejects based on the recommendations in this thread. It was pretty good, although I would have enjoyed it more if I hadn't seen the ending coming.

  34. #34
    Senior Member TheLoneKnight's Avatar
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    I would enjoy Rob Zombie's movies more if the weren't just hack & slash flicks.

  35. Child's Play Donor  #35
    senile member Mac_Bug's Avatar
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    I don't think you guys understand Paladin's position, he's the one advocating lethal force on a guy who just wants your lunch

  36. #36
    resident nuisance Verrin's Avatar
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    I wouldn't say Alien was on the premise of 'most realistic movie eva'.

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